The story continues beyond the frame…

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Using flash and getting as close as possible on the streets these last months, trying to fill the frame but show there’s more to the story continuing outside the frame. a flash

Capturing a story on the street is, for me, the hardest part of street photography , as ‘street’ gets more and more popular with everyone and we are all out there with a camera of some sort, it is easy to just point and shoot, we do it in the hope that we’ll catch something worth keeping, posting and maybe even printing but I often found mine were just snaps of people ‘milling about’.IMG_2120

So, with this in mind this last winter I promised myself I would be more selective in what I try to capture, would get as close as possible with a prime lens and use a small off camera flash gun. Have found that the more am on the street the more I enjoy my photography and the more inspired I am to try something different. Fill a frame, catch a story and hope the viewer can see that there’s a story on the street. IMG_2973I have been organizing photowalks and encouraging friends and students to get out on the streets and do it, just do it. Get close, fill the frame, try and capture that one subject that looks straight into your lens, straight at you, it’s a great feeling and so liberating with small flash. Enjoy!

Published by dmanderphoto

Dawn Mander, a Blackpool-based self taught photographer, exhibited worldwide,notably USA, Australia, Canada, Hamburg, Moscow Italy and U.K. and published internationally both in print and online. Dawn runs street photography walks in her hometown of Blackpool and gives talks at local colleges, schools and photography groups. In 2018 Dawn was nominated for the RPS Hundred Heroines campaign celebrating women in photography and in 2019 exhibited with over 80 female photographers in the RPS 'Representation on the Line:(Un)framing our Identities' held in Chelsea, Doncaster and Blackpool. For the latter she also executed the roles of organiser and co-curator. Dawn continues to work on her #DocumentingBlackpool & #PortraitofBlackpool series and is currently creating and co-curating exhibitions and community art projects at HIVE Blackpool. 2021 - Format Mass Isolation Project. The Peoples Picture at Quad in Derby https://thepeoplespicture.com/massisolationformat 2021 - Double Trouble Festival, Women in Street/ Unexposed Collective exhibition at Bondi Beach and Brisbane Australia. 2020/21 Large Scale Images printed and exhibited in the HIVEArts Blackpool Tramstop Takeover. 2020 - Rankin 2020 book contributor 2020 - Grundy Art Gallery Blackpool contributor fro #worktownghosttown online documentary series, exploring the effects of pandemic and Covid lockdown on Blackpool. 2019 - RPS Chelsea, Doncaster and Blackpool 2019 - Women in Street Double Trouble collective exhibition in San Fransisco USA. 2019 - Works shown at Millepiani collective exhibitions In Rome Italy. 2019 - Stills photographer for Farrena Films - The Other Side with Valerie Hope. 2019 - Promotional images shown at Grauman's Chinese Theatre Los Angeles, California USA 2019 - HotBed Press 20/20 print collective shown at Cube in Moscow. part of the Arrested ReDevelopment Collective Blackpool. 2019 - Publicity shots for Virgin Trains promoting travel to Blackpool. 2018 - exhibited and sold works at Manchester Art Fair. 2018 - Seaside Special Postcards from the Edge. Book Cover pub: BlueMoose Books 2018 - works exhibited at Hebden Bridge Art Fair 2015-2017. Local exhibitions in Blackpool: HIVE Blackpool, The Grundy Art Gallery, The Grand Theatre, It's A Gallery, Shaws, The Solaris Centre, The Galleon, Barista. Publications: 2020 - Rankin 2020 June 2015 - BLACK+WHITE PHOTOGRAPHY Magazine. July 2015 - BLACK+WHITE PHOTOGRAPHY Magazine. November 2016 - BLACK+WHITE PHOTOGRAPHY Magazine 2017 - The Guardian 2016 - The Guardian 2016 - Lancashire Life. 2015 - World Street Photography Book.

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